Art

Photos Of The Day: Kudzanai Chiurai

The name of this series is Dying to be Men and it is intended to parody the aesthetics of propaganda and political representation.

I wanted to look at the way government roles are essentially exaggerated personas.

- Kudzanai Chiurai

minister-of-education

The Minister of Education

Born in 1981 in Zimbabwe, Kudzanai Chiurai is an internationally acclaimed young artist now living and working in South Africa. He was the first black student to graduate with a BA Fine Art from the University of Pretoria. Regarded as part of the “born free” generation in Zimbabwe – born one year after the country’s independence from Rhodesia – Chiurai’s early work focused on the political, economic and social strife in his homeland. Seminal works like Presidential wallpaper depicted Zimbabwean president Robert Mugabe as a sell-out and led to Chiurai’s exile from Zimbabwe.

His sell-out exhibition Graceland (2007) offered striking commentary on issues related to black economic empowerment and inner-city rejuvenation in South Africa. From his home/studio located in one of Johannesburg’s most notorious crime hotspots (now earmarked as a rejuvenation zone), Chiurai produced a body of work that featured buildings, residents and signage seen from his own balcony. And while stereotypical benchmarks of urban development, such as the new BMW-driving suburban black elite, were challenged and often ridiculed, a subtle yet powerful ray of hope and progress also emerged. Works like Since 1900 and Fela heralded the perseverance and longevity of mom and pop neighborhood businesses and indigenous African icons. Chiurai offered a deeply personal glimpse of his version of “Graceland” and signalled a fresh direction for future works.

In 2009 Chiurai joined the Goodman Gallery stable, exhibiting in the group exhibition Nation State and extending his foray into the murky world of African politics with two solo shows: Dying to be men at Goodman Gallery Cape in 2009 and Communists and hot chicken wings: the birth of a new nation at Goodman Gallery project space in 2010. Large-scale photographs critiquing the representation and aesthetics of political power were at the core of Dying to be men, and Chiurai followed this with a series of large linocuts, an oversized mural, and the fictional remains of a presidential assassination in Communists and hot chicken wings.

Though he is known primarily as a painter, Chiurai extends his practice to a broad public engagement not always possible in the confines of the white cube. His work as a producer, editor, and designer is often located in informal networks and situations and is intimately connected to his political activism. This wide-ranging approach to making art is demonstrated in a body of work that embraces photography, publishing, music, public art, and fashion. He has edited two publications with contributions by leading creatives. The first of these formed part of his 2008 solo exhibition Yellow Lines, which was a catalogue of the exhibition that also worked as magazine. Collaborating with writers, artists, graphic designers, stylists and fashion photographers, Chiurai presented them with a brief to reinterpret the theme of the exhibition. He completed a second reader titled Black President vol. II, which was published in 2010 by Goodman Gallery Editions.

minister-of-finance

The Minister of Finance

the-minister-of-enterprise

The Minister of Enterprise

the-minister-of-health

The Minister of Health

Kudzanai-Chiurai-the-minister-of-arts-and-culture

The Minister of Arts and Culture

Kudzanai-Chiurai-the-minister-of-defence

The Minister of Defence

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3 thoughts on “Photos Of The Day: Kudzanai Chiurai

  1. Yes, this is a good view of South Africa. BUT it must be remembered that Africa (Sub Sahara), your so-called “Dark Africa” has another component which is sometimes incomprehendable by the “western mind”. In South Africa they called this “Ubuntu”, in one term, but it is found over the whole of “Dark Africa”. It has around 42 laws or tables, and the core is collective consciousness, whereas the western mind is focussed on an individualistic consciouness. To us there is a so-called “black elite”, to the traditional African man, the one with money, flare and expensive cars, are the strong ones. And the strong must be followed. Unforntunately, the current “strong” people are corrupt, and part of what we call the criminal system.

    Power is the main aim here. To achieve power, you need two basic elements, namely money and support. To get support, you need another two basic elements, namely: Identify a common enemy (because there are more conflict between different ethnical groups, than between different races, in other words if you want unify the ethnical groups, you need a common enemy) and secondly, you have to wrap your public speeches in the paper of the laws ofUbuntu.The master of this strategy at this stage is Juluis Malema. I spoke to him personally, and the Juluis on “stage” is very different person of “stage”

  2. Pingback: Zimbabwe's Kudzanai Chiurai: Can art change Africa? | George Girtsou News

  3. Pingback: Zimbabwe’s Kudzanai Chiurai: Can art change Africa?

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